Umberto inhabits painting as one inhabits an enigma. His figures, often animals with human features, emerge from a place that does not imitate reality but retains its echo. Ancient impulses gather within them, reactions that belong neither to the animal nor the human kingdom, but to an intermediate zone where gesture becomes revelation.
The color, always tense and vibrant, does not describe but surfaces: it is the trace of an urgency that precedes form. Each work is a fragment of an unpronounceable language, an attempted capture of what escapes, of what remains on the edge.
Umberto’s painting offers itself as a gateway: a place where the elusive assumes for a moment a posture, a gaze, a possibility.
The Tiger
The Tiger
Dogs
Two Dogs Fighting Over A Broken Urn
Acrylic, 120×180
The Heron
The Heron (Resumé de une Eté)
Acrylic on Wood Panel, 40×80
Magilla Silverback Franck
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Las Lanzas, por Diego Velasquez
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Popeye
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Green Eyes and a Dragon
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Talk To Myself for Hours
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